ТОП 10 от Топтыгина | Беззеркалки 2020 — это, наверное, самый реалистичный ФОТО ТОП, так как ВСЕ камеры были протестированы и на все (кроме тех, на которые видео делаются прямо сейчас) на канале можно посмотреть подробные обзоры.
ВИДЕО Топ, про фотоаппараты, которые снимают видео выйдет попозже. И там «расклад» будет совсем другой.
Такого (ТОП обзоры) я больше нигде не припомню.
Надеюсь, Вам понравится.
— Приобретение фотовидеотехники и оптики со скидкой 5%:
Сайт www.digital30.ru/
Здесь формируется заказ.
Для получения скидки необходимо быть подписчиком канала и написать о приобретение со скидкой по номеру:
79086177177 Вотсап или Телеграм.
Легендарная сага, покорившая миллионы поклонников в самых разных странах, возвращается! Девятый эпизод космического эпоса «Звёздные Войны» завершает невероятную историю семьи Скайуокеров, длящуюся уже более сорока лет, и обещает дать ответы на все загадки из предыдущих серий. Нас ожидают старые и новые герои, уникальные миры, увлекательные путешествия на край Галактики и грандиозный финал фантастической саги!
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Заказать ножи: vk.com/market-169912227
Поддержать нас на Patreon: www.patreon.com/BellerophonStudio?alert=2
Оказать финансовую поддержку можно также по следующим реквизитам:
Webmoney:
R064670526272
Z262893383501
Карта Сбербанка: 5469 4600 1843 1592
Яндекс.Деньги: 410017091714588
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Пока мы работали над мачете Йорма из Dark Souls 3, на другом конце земли, ребята с канала @That Works сделали меч рыцаря Лотрика. Вы просили больше реплик по Dark Souls на канале. Представляем вашему вниманию переводной ролик создания легендарного меча по легендарной игре.
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Канал парней из @That Works
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Хотите больше? Подписывайтесь на наш канал, делитесь этим видео с друзьями и не забывайте про наши социальные сети:
Группа ВК: vk.com/bellerophonstudio
В рамках проекта «Фрирайд в зоне смерти» альпинисты-фрирайдеры совершили попытку бескислородного восхождения и спуска на лыжах с опаснейшего восьмитысячника Аннапурна, 8091 м. Подняться на вершину не удалось, но экспедиция считается успешной, т.к. участники остались живы. Смотрите уникальные кадры, фильм youtu.be/0gnyUh6KHbg о том, как райдеры Виталий Лазо и Антон Пуговкин выжили на стене самой страшной горы мира, уровень смертности на которой достигает 38%. В 2017 году фрирайдеры совершили успешное восхождение и спуск с Манаслу, 8163 м, без кислорода. Это был первый российский спуск с восьмитысячника без кислорода.
Виталий Лазо: www.facebook.com/vitaly.lazo www.instagram.com/vitaly_lazo/ vk.com/vitalylazo
Антон Пуговкин: www.facebook.com/profile.php?...
Проект «Фрирайд в зоне смерти»: deathzonefreeride.com/ru
Партнер проекта «Фрирайд в зоне смерти» — сеть магазинов КАНТ. КАНТ предоставляет специальные условия на покупку снаряжения для туризма и альпинизма, горных лыж и сноубордов, велосипеда и бега. Доставка осуществляется по всей России, в Москве ( 25км от МКАД) и Санкт-Петербурге ( 25км от КАД) доставка бесплатная и бесконтактная. Скидка по специальному промокоду. На товары, которые продаются уже со скидкой, этот промокод дает дополнительные 5%.
Сайт — www.kant.ru/
!!! промокод — КК1ГТЛ (код можно использовать как при онлайн покупке так и в магазинах)!!!
В фильме использованы музыкальные композиции:
Annapoorna Stotram Seven, Opposition-14016 Jesper Kyd BMI, Shields and Arrows-14016
Benson Taylor PRS, XRD7850 Grey Skies_CD043_27 X-Ray Dog, Nijaay Orchestra Baobab.
Привет! Я — Виталий Лазо, автор проекта «Фрирайд в зоне смерти» и автор фильмов о наших экспедициях и экстрим спусках на лыжах с высочайших гор планеты без кислорода. Автор канала «Горная Территория». На моем канале видео о горах о людях, спортсменах, достижениях и о снаряжении. Ничего сверхъестественного)
Before this guitar was started, I made a trip to the Dutch Archtop Guitar Museum in Dalfsen, Netherlands to make plans of a 1934 Gibson L5. This guitar in particular was important, as in ~1985 Ken Parker x-braced the soundboard, as well as reshaped the back and neck. In 2003, Ken Parker revolutionized the archtop guitar with his adjustable neck system. I was introduced to this neck system by one of my tutors from Newark College — Jamie Swannell of Swannell guitars. With some guidance from him over the past few years, I have developed a cosmetically similar but technically different version of his system. My goal with this guitar was to blend traditional aesthetic and modern innovations. This video is the result of four months of work; I hope you enjoy it!
If you are interested in purchasing this guitar, get in touch via my website here:
Radian Tools for sending their incredible 3 flute rebate router bit. They are definitely worth checking out if youve had enough with cheap bits and poor finishes!
Ruurd at the Dutch Archtop Guitar Museum for allowing me to make plans of his 1934 Gibson L5. I spent a wonderful afternoon looking through his vast collection of archtop guitars. There was even an unfinished Benedetto!
Jamie Swannell for keeping me sane and pointing me in the right direction with the adjustable mechanism. Jamie makes some of the most elegant and nuanced (something I know nothing about) guitars Ive ever seen and I highly recommend checking out his work!
I made some pottery from the clay in the new area to see how well it performed. A large bank of clay was exposed by the side of the creek. I dug it out using a digging stick and took it back to the hut. Small sticks and stones were picked out of the clay and the whole mass was mixed to make sure there were no dry lumps. When this was done the clay was then left next to the fire to dry slightly so that it became a stiff workable material to form pots from. No further processing was done to the clay.
I formed small pinch pots from the clay by taking balls of it and pinching out the shape of the pots. Small cracks that formed while shaping were simply mended by wetting and smoothing over. Several pots were made this way. They were then left to dry completely next to the fire until they were completely dry.
To fire the pot, it was placed upside down in the hot coals and covered with sticks in a tipi fashion. The wood both acts as fuel and protects the pot from sudden changes in temperatures such as those caused by sudden winds. When the fire was burning well, I increased the temperature of the fire by fanning it with a fan palm frond. The pot glowed red hot amongst the coals and so was fired to a sufficient temperature. After waiting overnight, the pot was retrieved from the ashes and struck with a stick. The pot gave a clear ringing sound indicating it was strong and had no cracks (hollow sounds indicate the opposite). Now I had a small bowl to carry water in.
A larger pot was then made from the same clay. This time the walls of the pot were built up using the coil technique where long rolls of clay were rolled and then squashed onto previous layers. The last layer was pinched outwards to form a pot lip. A lid was made for the pot by making a flat disk of clay with a small handle for lifting. When dried the pot was then fired as before but in a larger pit outside the hut. Again, the pot was covered with wood protecting it from sudden breezes that might cool or heat the pot suddenly, possibly causing cracks. The firing went well and the pot sounded strong when struck.
The pot was then placed on 3 rocks and a fire lit underneath. It took close to 30 minutes to boil this way with lots of sticks. But it did eventually come to the boil. I then made a stove inside the hut. The fire pit was dug and extended into a trench, sticks laid over the entrance and mud mixed from the excavated dirt was then used to form the walls of the stove over the trench. The stove was about 30 cm internal diameter but came in to about 20 cm. Three raised lumps were made on the top of the stove to hold the pot above. Then the stove was fired. Note that wood can be placed over the entrance of the stove at ground level and lit in a hob firebox like configuration. The flames then get sucked down and then up into the stove. I show this because it’s an easy way to manage the fire without making it too big which might burn the thatch.
When the pot is on the stove, it’s easier just to put sticks straight into the top of the stove between its open top and the sides of the pot. If over stacked with wood, wood gas is produced burning in a second fireball above the stove. It’s best just to keep the flames big enough to surround the pot (to reduce fire hazards). The pot was quicker to come to the boil then over a three stone fire.
The clay here in the new place is good, it didn’t take me long to make pottery here. Notably this clay doesn’t seem to need grog or temper added to it to prevent it from cracking. I think this is due to tiny specs of mica that weren’t present in the clay from my old area. The clay seems stronger and there also seems to be much more of it everywhere. The pot boiled after a while of tending, in future I’ll probably make thinner walled pots so that they boil quicker. The stove was useful for boiling the pot. It also seems to reduce the amount of smoke in the hut and increase the life of the coals in the base so that the fire could be re stoked at a later time.